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Performing Arts

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Minor in Theatre

Performing Arts

Minor in Theatre

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Overview

The minor in Theatre equips students with comprehensive knowledge and practical skills in theatrical arts within a Deaf-centered, collaborative environment. Through required core courses in theatre history, script analysis, and performing arts management, students develop critical understanding of theatrical practice. Students gain hands-on experience through production and performance practicums, working alongside peers in creative and technical roles. Elective courses allow students to specialize in areas such as acting, stagecraft, lighting design, costume design, scenic design, and educational drama. This minor pairs well with majors in communication studies, deaf studies, education, psychology, business, or any field where storytelling, creative expression, and performance skills are valuable. Graduates are prepared for careers in theatre production, performance, arts management, educational drama, scenic and costume design, and community arts programming.

Program at a Glance

  • On campus

Courses & Requirements

Summary of Requirements

Required Core Courses 12
Required Practicum Courses 6
Required Theatre Elective Courses 6
TOTAL 24

Minor in Theatre: Required Core Courses (12)

The popularity of film, memes and viral videos, and streaming shows in this day and age overshadow the fact that theatre was among the earliest forms of popular entertainment and social media. As an enduring art rich in varying social contexts, theatre has always sought to engage, represent, and spotlight intersectional spectrums of communities and identities, and this course introduces students to the practice and power of theatre from page to stage. All areas of theatre and production will be explored, complemented by 1) a set of required lab hours outside class and 2) viewings of live performances and past performances via archival video links. Successful completion of this course is a requirement for declaring one's major/minor in Theatre Arts.

Credits: 3
Distribution: Bachelors, Hybrid, In-Person, Minor, Online, Undergraduate
This class is designed to help the students break down and analyze theatrical scripts through readings, reinforced by watching live performances in person and/or filmed productions online as well as the exploration of varying approaches, narrative frames, and techniques designed to maximize the clarity and power of theatrical storytelling and production. Open to non-majors.
Credits: 3
Distribution: Bachelors, In-Person, Minor, Online, Undergraduate
This course provides students with a general overview of the business and administrative functions of non-profit and profit theatrical and performing arts organizations as well as an introductory look at the processes and responsibilities of production management, with specific consideration given to applications relevant to Deaf theatre practices. Participation in a week-long backstage crew assignment for performances outside of class is required to fully experience the business and operation needs of the performing arts. Open to non-majors.
Credits: 3
Distribution: Bachelors, Undergraduate

Minor in Theatre: Required Practicum Courses (6 credits)

For Theatre minors:

PFA 281 and PFA 282 may be taken repeatedly—either as all PFA 281, all PFA 282, or any combination of both—toward a minimum total of six (6) practicum credits. After fulfilling this requirement, either course may be taken again for elective credit by students who wish to pursue additional production experience. Both courses count toward CORE/Engage requirements as well as the six-credit Theatre Arts minor practicum requirement. Students who have already satisfied one or both of these requirements may continue to enroll in PFA 281 and/or PFA 282 for additional elective credit.

For non–Theatre majors and minors:

PFA 281 and PFA 282 may be taken to satisfy a CORE/Engage requirement and/or as free elective credit. These courses may be repeated up to four (4) times per course.

This course provides students an opportunity to earn academic credit by working behind the scenes in support of the design and technical aspects of a theatre production being mounted per semester. Students will develop practical skill sets and an essential knowledge of the logistics required for the successful mounting of a theatre production by working in one of its related areas: stage management, scenery, lighting, costumes, props, technical production.

The student’s specific assignment will be made by the theatre faculty and/or technical director ahead of each production, taking into consideration each student’s experience and the technical needs of each production.

For Theatre majors:
PFA 281 and PFA 282 may be taken repeatedly—either as all PFA 281, all PFA 282, or any combination of both—toward a minimum total of nine (9) practicum credits. After fulfilling this requirement, either course may be taken again for elective credit by students who wish to pursue additional production experience. Both courses count toward CORE/Engage requirements as well as the nine-credit Theatre Arts major practicum requirement. Students who have already satisfied one or both of these requirements may continue to enroll in PFA 281 and/or PFA 282 for additional elective credit.

 

For Theatre minors:

PFA 281 and PFA 282 may be taken repeatedly—either as all PFA 281, all PFA 282, or any combination of both—toward a minimum total of six (6) practicum credits. After fulfilling this requirement, either course may be taken again for elective credit by students who wish to pursue additional production experience. Both courses count toward CORE/Engage requirements as well as the six-credit Theatre Arts minor practicum requirement. Students who have already satisfied one or both of these requirements may continue to enroll in PFA 281 and/or PFA 282 for additional elective credit.

 

For non–Theatre majors and minors:

PFA 281 and PFA 282 may be taken to satisfy a CORE/Engage requirement and/or as free elective credit. These courses may be repeated up to four (4) times per course.

Credits: 0-3
Requisites:

Permission of the instructor

Distribution: In-Person, Undergraduate

This course allows students to earn academic credit by performing as an actor or serving as a member of a stage management team in a theatre production directed by Performing Arts faculty or guest artists. Enrollment requires attendance and active participation in all scheduled rehearsals, meetings, and performances.


Only students who have been cast or assigned to a stage management role in a production directed by Performing Arts faculty or guest artists should register for Performance Practicum. Students participating in productions not directed by Performing Arts faculty may be eligible for credit with prior faculty approval.


For Theatre majors:
PFA 281 and PFA 282 may be taken repeatedly—either as all PFA 281, all PFA 282, or any combination of both—toward a minimum total of nine (9) practicum credits. After fulfilling this requirement, either course may be taken again for elective credit by students who wish to pursue additional production experience. Both courses count toward CORE/Engage requirements as well as the nine-credit Theatre Arts major practicum requirement. Students who have already satisfied one or both of these requirements may continue to enroll in PFA 281 and/or PFA 282 for additional elective credit.


For Theatre minors:

PFA 281 and PFA 282 may be taken repeatedly—either as all PFA 281, all PFA 282, or any combination of both—toward a minimum total of six (6) practicum credits. After fulfilling this requirement, either course may be taken again for elective credit by students who wish to pursue additional production experience. Both courses count toward CORE/Engage requirements as well as the six-credit Theatre Arts minor practicum requirement. Students who have already satisfied one or both of these requirements may continue to enroll in PFA 281 and/or PFA 282 for additional elective credit.


For non–Theatre majors and minors:

PFA 281 and PFA 282 may be taken to satisfy a CORE/Engage requirement and/or as free elective credit. These courses may be repeated up to four (4) times per course.


Credits: 0-3
Requisites:

Permission of the instructor, gained through audition and/or assignment of performing or stage management role(s).

Distribution: In-Person, Undergraduate

Minor in Theatre: Required Elective Courses (6 credits)

Choose two (2) courses from the following:

This introductory course familiarizes students with theories of body movement and trains students in the use of physical space, rhythm, and balance for the purpose of creating mood and character through body movement within a theatrical context.

Credits: 3
Distribution: Undergraduate
A theatre workshop is a type of theatrical performance in which a play is presented, either in selected parts or in its entirety, without the full range of production elements such as scenery, costumes, or technical effects. This course provides students with the opportunity to explore and rehearse theatrical works in a laboratory setting, emphasizing creative experimentation, ensemble collaboration, and performance. The focus is on process and discovery rather than on producing a fully staged show.

Students will engage in continuous, hands-on activity related to rehearsal, performance, and dramaturgy both during and outside of class time, with reasonable accommodations provided for those with physical limitations. Alongside practical work, students will participate in conceptual discussions and collaborative decision-making that contribute to the artistic interpretation of the chosen material.

PFA 280 may be taken as an elective by Theatre majors and minors, and as a free elective by non-Theatre majors and minors. Course enrollment may be repeated up to three (3) times, as the play or performance focus will vary each semester.
Credits: 0-3
Distribution: Hybrid, In-Person, Online, Undergraduate

This course provides students an opportunity to earn academic credit by working behind the scenes in support of the design and technical aspects of a theatre production being mounted per semester. Students will develop practical skill sets and an essential knowledge of the logistics required for the successful mounting of a theatre production by working in one of its related areas: stage management, scenery, lighting, costumes, props, technical production.

The student’s specific assignment will be made by the theatre faculty and/or technical director ahead of each production, taking into consideration each student’s experience and the technical needs of each production.

For Theatre majors:
PFA 281 and PFA 282 may be taken repeatedly—either as all PFA 281, all PFA 282, or any combination of both—toward a minimum total of nine (9) practicum credits. After fulfilling this requirement, either course may be taken again for elective credit by students who wish to pursue additional production experience. Both courses count toward CORE/Engage requirements as well as the nine-credit Theatre Arts major practicum requirement. Students who have already satisfied one or both of these requirements may continue to enroll in PFA 281 and/or PFA 282 for additional elective credit.

 

For Theatre minors:

PFA 281 and PFA 282 may be taken repeatedly—either as all PFA 281, all PFA 282, or any combination of both—toward a minimum total of six (6) practicum credits. After fulfilling this requirement, either course may be taken again for elective credit by students who wish to pursue additional production experience. Both courses count toward CORE/Engage requirements as well as the six-credit Theatre Arts minor practicum requirement. Students who have already satisfied one or both of these requirements may continue to enroll in PFA 281 and/or PFA 282 for additional elective credit.

 

For non–Theatre majors and minors:

PFA 281 and PFA 282 may be taken to satisfy a CORE/Engage requirement and/or as free elective credit. These courses may be repeated up to four (4) times per course.

Credits: 0-3
Requisites:

Permission of the instructor

Distribution: In-Person, Undergraduate

This course allows students to earn academic credit by performing as an actor or serving as a member of a stage management team in a theatre production directed by Performing Arts faculty or guest artists. Enrollment requires attendance and active participation in all scheduled rehearsals, meetings, and performances.


Only students who have been cast or assigned to a stage management role in a production directed by Performing Arts faculty or guest artists should register for Performance Practicum. Students participating in productions not directed by Performing Arts faculty may be eligible for credit with prior faculty approval.


For Theatre majors:
PFA 281 and PFA 282 may be taken repeatedly—either as all PFA 281, all PFA 282, or any combination of both—toward a minimum total of nine (9) practicum credits. After fulfilling this requirement, either course may be taken again for elective credit by students who wish to pursue additional production experience. Both courses count toward CORE/Engage requirements as well as the nine-credit Theatre Arts major practicum requirement. Students who have already satisfied one or both of these requirements may continue to enroll in PFA 281 and/or PFA 282 for additional elective credit.


For Theatre minors:

PFA 281 and PFA 282 may be taken repeatedly—either as all PFA 281, all PFA 282, or any combination of both—toward a minimum total of six (6) practicum credits. After fulfilling this requirement, either course may be taken again for elective credit by students who wish to pursue additional production experience. Both courses count toward CORE/Engage requirements as well as the six-credit Theatre Arts minor practicum requirement. Students who have already satisfied one or both of these requirements may continue to enroll in PFA 281 and/or PFA 282 for additional elective credit.


For non–Theatre majors and minors:

PFA 281 and PFA 282 may be taken to satisfy a CORE/Engage requirement and/or as free elective credit. These courses may be repeated up to four (4) times per course.


Credits: 0-3
Requisites:

Permission of the instructor, gained through audition and/or assignment of performing or stage management role(s).

Distribution: In-Person, Undergraduate

This experimental studio course introduces students to the principles, processes, and techniques—such as Commedia dell’Arte, clowning, Lecoq, Viewpoints, among others—guiding the creation of physical and visual theatre intended to challenge and confront the traditionally text-oriented nature of performance, while exploring the relationship between body and language.  This course will conclude with a performance of original works devised by students at the end of the semester.

Credits: 3
Requisites:

Permission of the instructor

Distribution: Bachelors, Undergraduate
This exploratory course introduces students to the essentials of creative methodologies of sign language translation emphasizing content, context, and intent of performances as produced within a variety of genres and styles. Open to non-majors; recommended for ASL, interpreting, and linguistics students.
Credits: 3
Distribution: Bachelors, In-Person, Online, Undergraduate
The course examines the evolutionary leaps of modern theatre from the late nineteenth century to the present day. Scripts are specifically chosen to highlight a variety of contemporary theatre-making practices ranging from interpretations of traditional dramas and comedies, new writing, physical theatre, musicals, cross-media pieces, and/or other alternative forms throughout a timeline that is defined by the emergence and acceleration of technology, resulting in redefined worldviews. Open to non-majors.
Credits: 3
Distribution: Bachelors, In-Person, Online, Undergraduate
This course covers the development of performance from its beginnings to the latest contemporary movements, through the study of plays, essays, films, and other works to examine the nature of performance and how culture, economics, politics, identity, and other systematic forces influence (and are influenced by) the performing arts. Open to non-majors.
Credits: 3
Distribution: Bachelors, In-Person, Online, Undergraduate

Students will be introduced to the creative processes and tools of acting through the continuous application of rehearsal strategies incorporating exercises designed to strengthen basic skillsets in observation, sense and emotion memory, concentration, improvisation, and scene study, with individual and group work involving monologues and scenes. This course will culminate in a student performance showcase at the end of the semester.

Credits: 3
Distribution: Hybrid, In-Person, Online, Undergraduate

This course is designed to give the student hands on experience in the art of stagecraft. To that end, the student will have opportunities to use the basic tools, procedures, and equipment for creating the types of scenery encountered in the theatre shop environment. Other topics include construction, rigging, production processes, and stage equipment. Open to non-majors.

Credits: 3
Distribution: Undergraduate

This course serves as a basic introduction to stage combat as a craft with direct applications to theatre and film: students will learn the fundamentals of unarmed combat, such as falls, rolls, throws and flips, various punches, kicks, and blocks. Training emphasis is placed on actor safety, script analysis and interpretation, and choreographing and performing various sequences of violence as specified in various scripts.  At the end of the semester, this course culminates in a public showcase performance of staged fight sequences devised and choreographed by students, who will then undergo a Skills Proficiency Test  (SPT) given and adjudicated by a Fight Master recognized by the Society of American Fight Directors  (SAFD).  For Theatre Arts majors and minors, and open to non-majors.  

Credits: 3
Requisites:

PFA 110

Distribution: Undergraduate

This course trains the actor to create the illusion of physical violence involving hand-held weapons. The focus is on safe technique, the physical discipline of impulse response, and moment-to-moment playing and reaction.  Proper usage of weapons recognized by the Society of American Fight Directors (SAFD) ----Smallsword, Single-sword, Broadsword, Knife, Quarterstaff, Rapier & Dagger and/or Sword & Shield) will be studied and practiced.  At the end of the semester, this course culminates in a public showcase performance of staged weapon-specific fights devised and choreographed by students, who will then undergo a Skills Proficiency Test (SPT) given and adjudicated by a Fight Master recognized by the Society of American Fight Directors (SAFD).  For Theatre Arts majors and minors, and open to non-majors.  

Credits: 3
Requisites:

PFA 110

Distribution: Undergraduate
This course introduces the essential skills for utilizing lighting, electricity, and other stage technologies. Students will explore the scientific principles of light and its control through electrical theory, applying these concepts to artistry and storytelling across various art forms. Emphasis will be placed on vocabulary, equipment, and practices used in all areas of theatre technology, including lights, sound, and video projections, for mounting a staged production. A required component of this course involves hands-on physical activity related to production needs within and outside class hours, with reasonable accommodations being made for students with any physical limitations.
Credits: 3
Distribution: In-Person, Online, Undergraduate
This hands-on course explores the qualities of light and how light functions in a variety of contexts, both in nature and as a design element relevant to text, performers, music, and environment. Students will gain basic technical working knowledge and skill sets specific to lighting design for the performing arts, with varying emphases placed on the discipline’s creative, conceptual, and collaborative aspects, applied through continuous experimentation and practice. A required component of this course involves hands-on physical activity related to production needs within and outside class hours, with reasonable accommodations being made for students with any physical limitations. Open to non-majors.
Credits: 3
Distribution: Bachelors, In-Person, Online, Undergraduate

This course is designed to acquaint the student with major styles and periods of dress from Egyptian to pre-World War I European as a basis of later work in costume design. Viewed through slides, photographs, and actual historical documentation, a flow of design and change is seen.

Credits: 3
Distribution: Undergraduate
This course is an exploration into costume design processes and the psychology of clothing, culminating in the development of designs resulting from character analyses specific to a theatrical play script, with period research, design, and rendering skills cultivated through continuous applications, supported by instruction in basic costume sewing, construction, and crafting techniques. A required component of this course involves hands-on physical activity related to production needs within and outside class hours, with reasonable accommodations being made for students with any physical limitations. Open to non-majors.
Credits: 3
Requisites:

Instructor approval required based on available resources.

Distribution: Undergraduate
This course is an exploration of scenic design as an artistic process, in which students learn how a designer creates a stage world synthesizing narrative and visual ideas stemming from one’s interpretation of the relationship between text, space, and performers within a play production: techniques in support of this process include visual research, collage, sketching, model-making, painting, and the application of architectural scale. Open to non-majors.
Credits: 3
Requisites:

Instructor approval required based on available resources.

Distribution: Undergraduate

This course will focus on methodology and practice of creative movement and drama for children ages 3 to 6 (preschool and kindergarten). Students will become familiar with the use of creative movement, mime, improvisation, story dramatization, storytelling, puppetry and use of multisensory stimuli and learn how to adapt activities for children with special needs. Emphasis will be on the application of these techniques to language development, social learning, concept formation, emotional development, and creativity. Resources will include multiethnic themes, stories, and folklore.

Credits: 3
Requisites:

Junior or senior standing

Distribution: Undergraduate

This course focuses on methodology and practice of educational drama applied to multidisciplinary learning within the first through sixth grade curricula. Students will be introduced to theme and story based improvisation, story dramatization, role play, and teacher-in-role strategies, and learn how to adapt activities for children with special needs. Curricular areas include language arts, social studies, science, and math, with additional focus on examining emotional development, and creativity. Current trends in assessment of drama will also be explored. Resources will include multiethnic themes, stories, and folklore.

Credits: 3
Requisites:

Junior or senior standing

Distribution: Undergraduate

This course focuses on methodology and practice of educational drama applied to multidisciplinary learning within the sixth through twelfth grade curricula. Students explore the use of theme and literature based improvisation, role play, and teacher-in-role strategies applied primarily to language arts and social studies, including sociology, history, government, and current events. Additional emphasis will be placed on examining emotional development and creativity. Resources will include multiethnic themes, stories, and folklore.

Credits: 3
Requisites:

Junior or senior standing

Distribution: Undergraduate

This course will begin with a review of the history, influences, and development of theatre for young audiences in the twentieth century. Particular emphasis will be placed on examining current trends in theatre for youth including; standards for professional theatre, standards for in-school theatre programs, dramatic literature, and theatre-in-education. In addition to readings from text: Children's Theatre, Children and Youth by Jed H. Davis and Mary Jane Evans, students will read selected plays from Dramatic Literature for Children: A century in Review by Roger L. Bedard, and Spit in One Hand, Wish in the Other: Six Plays by Suzan Zeder for Youth Audiences, by Susan Pearson-Davis. Student will attend theatre performances in the Washington, D.C. area.

Credits: 3
Requisites:

PFA 110

Distribution: Undergraduate

This follow-up course to PFA 470, 472 and 474 is designed to give students professional on-site experience and training with deaf and hard of hearing children and children who have special educational needs. Students will meet with classroom teachers and prepare age appropriate drama lessons that support classroom long and short term objectives. Students will work in at least two different classrooms during the semester.

Credits: 3
Requisites:

PFA 470, 472, and 474; or permission of the instructor

Distribution: Undergraduate
This course adopts a diverse and flexible approach to subject matter as a means to offer students opportunities to pursue specialized areas of performing arts production, research, and/or scholarship. Students may enroll in 495 Special Topics multiple times, provided that the topics differ. Open to non-majors.
Credits: 1-3
Distribution: Undergraduate

A project in the field of the student's special interest, involving reading, research, discussion, and/or lab work. Title indicating content must be available at registration.

Credits: 1-3
Requisites:

The student must have a minimum cumulative GPA of 3.0 and be in good academic standing at the time of enrollment.

No more than two weeks before the final day of the semester’s add/drop period, the student must submit a proposal outlining the focus of the Independent Study (which must include an overview, objectives, timeline, expected outcomes, and any necessary resources such as equipment, space, and materials). This proposal must be reviewed and approved by the course instructor, who will review the proposed project to ensure its feasibility as well as alignment with the program’s student learning outcomes.

Enrollment is contingent upon approval of the proposal.

Distribution: Undergraduate

Job Outlook

Actors

The employment of Actors is projected to grow at a 0% rate from 2024-2034, with a median hourly salary of $23.33. Learn more here.

Producers and Director

The employment of Producers and Directors is projected to grow at a 5% rate from 2024-2034, with an average annual salary of $83,480. Learn more here.

Dancer and Choreographer

The employment of professional Dancers is expected to grow at a 5% rate from 2024-2034, with an average annual hourly salary of $24.53 per hour. Learn more here.

Admissions

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Contact

  • Minor in Theatre
  • ethan.sinnott@gallaudet.edu
  • anne.wiegand@gallaudet.edu
  • Monday
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Ethan Sinnott

Professor

Annie Wiegand

Associate Professor

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